Mathaf Talk: Tomorrows Ripen Today

Date: 21 March 2019

Time: 6pm

Location: Mathaf: Arab Museum of Modern Art

In conjunction with their exhibition Raqs Media Collective: Still More World, the artists will present a talk - ‘Tomorrows Ripen Today’*, which foregrounds the conceptual framing of the exhibition and presents the way in which Raqs works with time. The talk also presents Raqs’ way of thinking about how cities like Doha and Delhi, with layered pasts and polyglot futures, anticipate tomorrow and trace the routes straddling stories, histories, trade routes and ocean currents that connect people between South Asia and the Gulf region.

Raqs Media Collective was founded in 1992 by Jeebesh Bagchi, Monica Narula and Shuddhabrata Sengupta. They live and work in Delhi, India 

This talk will be introduced by the curator of the exhibition, Laura Barlow.

*Tomorrows Ripen Today is a phrase taken from Dohas for Doha, one of the works especially produced by Raqs for this exhibition.

 

Curator Tour - M. F. Husain: Horses of the Sun and Raqs Media Collective: Still More World

Date: 21 March

Time: 4pm

Location: Mathaf: Arab Museum of Modern Art, Doha

Join curators Ranjit Hoskote and Laura Barlow for a tour of Mathaf Spring exhibitions: M. F. Husain: Horses of the Sun and Raqs Media Collective: Still More World. The Raqs Media Collective artists (Jeebesh Bagchi, Monica Narula and Shuddhabrata Sengupta) will be present.

The tour is open to all and free to attend. 

Title: Mathaf Talk with Jameela Al Shraim

Date: 15 May 2019

Time: 9:00PM

Location: Project Space, Mathaf: Arab Museum of Modern Art, Education City, Doha

The history of culture that emerged in Doha during the 1970’s and 1980’s has shaped Qatar’s art practices today. Artists have been the agents that have written narratives of the untold histories of art and society. Today, the institutional role of archive in the museum context in Doha is emerging, positioning itself as a pivotal source of documentation, research, and storytelling.

Artist Jameela Al Shraim, in conversation with Curator Lina Ramadan, will trace the history of exhibitions, art education and criticism, production spaces and the development of modern art, looking at the artist’s archives and personal stories.  

The talk will be held at Mathaf’s Project Space in Arabic, in conjunction with Project Space 13: Doha Art Map (13 March – 13 July 2019).

About the artist: art critic and visual artist Jameela Al Shraim was born in Rumaillah, Qatar in 1965. Her practice spans mediums such as painting, graphic art and sculpture. Al Shraim was one of the first female artists to join Doha’s Al Marsam Al Hurr (the Liberal Art Studio) in 1983. She received her BA in Fine Arts and Education from the Education Department, Qatar University in 1988. Since then, Al Shraim has worked in different fields relating to art education, art criticism and journalism such as in Al Sharq newspaper. She plays an important role in documenting the participation of Qatari female artists in the development of the local modern art scene.


The façade of Al-Marsam Al Hurr (the Liberal Art Studio), ca. 1982 

 

Join us for our Mathaf Voices guided tour in our exhibitions, every day from 3pm to7pm for, from May 2019 to June 2019

Tours are conducted in Arabic, English.

 

Project Space 13: Doha Art Map


Installation view of Project Space: Doha Art Map, 2014, Mathaf: Arab Museum of Modern Art, Doha

Project Space 13 builds on the existing and ongoing Doha Art Map, a project initiated by Mathaf in 2014 to explore spaces of art and creativity in the city of Doha. In 2019 the third iteration of the project continues this route of inquiry while actively engaging with public and private spaces of collecting, to debate the responsibility of collections, their preservation and presentation. As an experimental research platform, the Doha Art Map invites the Museum’s diverse audience and creative community to collectively survey the contemporary art scene in Doha, asking questions around the places of art production, collecting and display, to identify where original ways of working are taking place, and addressing how various public and private practices contribute to the shaping of the art ecosystem in Doha today.

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